Objects of Interest

#Making and Unmaking
members
A Rejection of the Term “Vernacular”
An analysis of the colonizing word coined for the sake of othering design languages that dare to challenge Eurocentric norms.

#Politics of Display
members
Reflejos Ajenos
The museum, national identity and the impossibility of classifying the intangible.

#Contra-Colonial Colors
members
Gold
Fighting for existence in the wake of stolen wealth, toxic metals, gilded bureaucrats and golden visas.

#Politics of Display
members
South is Up
On subjective worlds, alternative Earths, and map projections.

#Politics of Display
members
Preserve, Revise, Remove, Radicalize
Monuments and memorials in the United States of America after 2020.
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#Image Matters
members
The Dark Side of Pictograms
How sports—in particular the Olympics—perpetuate multiple systems of oppression.

#Objects of Interest
members
Hi Vis
Toxic Trades, Constructed Masculinity & The Vibrance of Anonymity.
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#Contra-Colonial Colors
members
Yellow
Framing and re-framing oppression through cinematic clichés, khaki hues, and a desert of lies.

#Objects of Interest
members
Before and After
Make-over fantasies, flawed dualisms, and how two images side by side can change public space.

#Objects of Interest
members
On Isolation, Heirlooms and Solidarity
How the Sankara Rug became a comfort away from home.

#Objects of Interest
members
On Isolation, Heirlooms and Solidarity
How the Sankara Rug became a comfort away from home.

#Contra-Colonial Colors
members
Blue
Bolting a chain of exploitation, from hardy rocky plants, to deep indigo dyes, and monumental stones.

#Colonial Histories
members
Blue
Bolting a chain of exploitation, from hardy rocky plants, to deep indigo dyes, and monumental stones.
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As a queer intersectional feminist platform, Futuress strives to be a home for the people, histories, and perspectives that have been—and still often remain—underrepresented, oppressed, and ignored.

#Contra-Colonial Colors
members
Red
Tracing the bloodline of an ink from sixteenth century Abya Yala to the National Gallery in London.

#Colonial Histories
members
Red
Tracing the bloodline of an ink from sixteenth century Abya Yala to the National Gallery in London.

#Objects of Interest
members
When a House is Not a Home
The design of matchbox houses in South Africa and the challenges of COVID-19.
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#Objects of Interest
members
When a House is Not a Home
The design of matchbox houses in South Africa and the challenges of COVID-19.