![Gold](/content/images/2021/11/Hero_gold.jpg)
#Contra-Colonial Colors
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Gold
Fighting for existence in the wake of stolen wealth, toxic metals, gilded bureaucrats and golden visas.
![Yellow](/content/images/2022/03/Hero_Luiza.jpg)
#Contra-Colonial Colors
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Yellow
Framing and re-framing oppression through cinematic clichés, khaki hues, and a desert of lies.
![Yellow](/content/images/2021/04/Yellow_Hero-2.jpg)
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Yellow
Framing and re-framing oppression through cinematic clichés, khaki hues, and a desert of lies.
![Salted Waters In the Whorls of Time](/content/images/2021/04/cover-blue2.png)
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Salted Waters In the Whorls of Time
May 28, 2021 | 5 pm CEST | with Luiza Prado de O. Martins, artist, writer, and researcher
![Salted Waters In the Whorls of Time](/content/images/2021/04/cover-blue2.png)
members
Salted Waters In the Whorls of Time
May 28, 2021 | 5 pm CEST | with Luiza Prado de O. Martins, artist, writer, and researcher
![Blue](/content/images/2022/03/Hero_Blue.jpg)
#Contra-Colonial Colors
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Blue
Bolting a chain of exploitation, from hardy rocky plants, to deep indigo dyes, and monumental stones.
![Blue](/content/images/2021/02/Blue_hero.jpg)
#Colonial Histories
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Blue
Bolting a chain of exploitation, from hardy rocky plants, to deep indigo dyes, and monumental stones.
![Red](/content/images/2022/03/Hero_Red.jpg)
#Contra-Colonial Colors
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Red
Tracing the bloodline of an ink from sixteenth century Abya Yala to the National Gallery in London.
![Red](/content/images/2020/11/red_tests3.jpg)
#Colonial Histories
members
Red
Tracing the bloodline of an ink from sixteenth century Abya Yala to the National Gallery in London.